Dramatic love is instantaneous, like Romeo and Juliet.
Or like an actor and his audience. Their anonymous encounter happens every night in theaters everywhere.
Now it goes live.
WITH: RYAN BARRY*
(*courtesy Actors Equity Association)
The Unchained Theatre Festival
Chain Theatre, Long Island City, New York
The Village Voice:
“The script is intelligently bizarre: It’s Rob Zombie’s The Devil’s Rejects meets Marcel Marceau, and ultimately connects its disorienting components into an ode to clowning and the pain it sometimes masks."
The New York Times:
“Shows to Consider in the New York Fringe Festival”
“In his dark comedy ‘Clown Play,’ Paul David Young intriguingly combines critical elements from the horror playbook: angry clowns, semiautomatic weapons, an abandoned house in the suburbs.”
“the treatment of ‘the financial crisis, professional clowning, performance theory, suburban architecture, gun control, religion, murder, substance abuse and burglary’ did indeed touch up on all of those issues and more, but with a degree of levity that was refreshing in the current age of sometimes cult-like protest via social media.”
“Paul David Young’s script is exceedingly clever, with one absolutely killer monologue for Maria”
“To sum up, this is exactly the kind of thing theatre-goers look forward to fringe festivals for: Daring, entertaining and ultimately non-mainstream fare.”
'Clown Play': One of the Offbeat Treats of the New York International Fringe Festival
“what is clear is that Mr. Young is a talented wordsmith who is able to take seemingly disparate elements and coalesce them into a logical and unexpectedly sweet play (unexpected, since a semi-automatic weapon puts in a threatening appearance from time to time)”
“consider the title as you leave the theater having had a surprisingly good time.”
“And while it is Mr. Young’s writing skill that was able to turn seemingly random scenes into a real charmer of a play, much credit must go to the cast (all of whom have impressive theater credentials, by the way), and to director Robert Lutfy.”
“[Young’s] text flows easily from one difficult idea to the next (he manages at one point to question war, responsibility, and art – individually – within eight simple lines) and does so in a clever manner and oddly playful setting: clowns squatting in modern suburban America.”
New York Fringe Festival Pick by:
Newyork.com, Amsterdam News, The New York Times, and The New Jersey Record.