Zement, by Heiner Müller (photo information below)

PAJ: A Journal of Performance and Art (MIT Press Journals)

Book Review: The Last Days of Mankind, by Karl Kraus, translated
from the German by Fred Bridgham and Edward Timms. New Haven:
Yale University Press, 2015; PAJ: A Journal of Performance and Art, 113 (2016)(MIT Press)
pdf of article here

A Requiem for Gotscheff, Müller, and Utopia
Theatertreffen 2014 at Haus der Berliner Festspiele and other venues in Berlin, May 2–18, 2014, PAJ: A Journal of Performance and Art, 109 (2015)(MIT Press)
pdf of article here

Tasteless, Crude, and Politically Progressive, PAJ: A Journal of Performance and Art, 108 (2014)(MIT Press)
pdf of article here

The Art of "Thaeter": How to Create Social Change While Entertaining, PAJ: A Journal of Performance and Art, 107 (2014)(MIT Press)
pdf of article here

Piscator in America: Judith Malina's The Piscator Notebooks, PAJ: A Journal of Performance and Art, PAJ: A Journal of Performance and Art,106 (2013)(MIT Press)
pdf of article here

Turning Theatre into Art
Pablo Helguera, Ohad Meromi, Xaviera Simmons, in conversation with Paul David Young, PAJ: A Journal of Performance and Art, PAJ: A Journal of Performance and Art,100 (2012)(MIT Press)

Newarttheatre: Evolutions of the Performance Aesthetic
John Kelly, Liz Magic Laser, David Levine, Alix Pearlstein, in conversation with Paul David Young, PAJ: A Journal of Performance and Art, 98 (2011)(MIT Press)

“Picnic Realism: The Use of Comedy in Serious German Theater,” PAJ: A Journal of Performance and Art, 95 (2010)(MIT Press)
pdf of article here

“Paranoid Futurism: Edward Bond’s Chair, directed by Robert Woodruff,” PAJ: A Journal of Performance and Art, 93 (2009)(MIT Press)
pdf of article here

”Technosurfing in Bloomsbury: Katie Mitchell’s The Waves, based on the novel by Virginia Woolf, directed by Katie Mitchell, video design by Leo Warner; produced by Lincoln Center, at The Duke on 42nd Street, November 12 – 22, 2008,” PAJ: A Journal of Performance and Art, 92 (2009)(MIT Press)
pdf of article here

“Performing the Novel: Elevator Repair Service Reads The Sound and the Fury by William Faulkner,” PAJ: A Journal of Performance and Art, 90 (2008), pp. 52-59 (MIT Press)
pdf of article here

Photo information:
credit: tt14_p_zement_c_armin_smailovic_

ZEMENT
von Heiner Müller

Premiere am 5. Mai 2013 im Residenztheater

Eingeladen zum Theatertreffen 2014/Berliner Festspiele

mit Götz Argus (Tschibis), Bibiana Beglau (Dascha Tschumalowa), Sebastian Blomberg (Gleb Tschumalow), Aurel Manthei (Badjin), Robert Niemann (Makar, Dimitri Iwagin), Genija Rykova (Polja Mechowa), Valery Tscheplanowa (Njurka), Lukas Turtur (Sergej Iwagin), Paul Wolff-Plottegg (Kleist) sowie den Schauspielstudierenden der Otto-Falckenberg-Schule und der Bayerischen Theaterakademie August Everding als Chor Lena Eikenbusch, Johanna Küsters, Klara Pfeifer, Anna Sophie Schindler, Jonas Grundner-Culemann, Thomas Hauser, Ines Hollinger, Lukas Hupfeld, James Newton, Philipp Reinhardt, Benjamin Schroeder, Jeff Wilbusch

Regie: Dimiter Gotscheff
Bühne und Kostüme: Ezio Toffolutti
Musik: Sandy Lopićić
Licht: Gerrit Jurda

vorne Sebastian Blomberg (Gleb Tschumalow), hinten links Lukas Turtur (Sergej Iwagin), hinten rechts Genija Rykova (Polja Mechowa) und Chor (Schauspielstudierende der Otto-Falckenberg-Schule und der Bayerischen Theaterakademie August Everding)